Contemporary conceptual art built on geometry as a language of knowledge — and the belief that order is not constructed, but recognized.
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Gold. Frost
60 x 60 cm (23.6″ × 23.6″)
2026
At the heart of the Gold series lies an ornament of golden spirals — a visual language for order that was not invented, but found. The series turns toward a tradition in which geometry and harmony were not style, but a way of thinking.
Frost holds a single proposition: what appears accidental is not. What appears boundless has a centre — a point. And the point is where everything begins. Two figures orbit a luminous core, their intertwining recalling frost on a winter window — spontaneous in appearance, yet governed by the same invisible laws that structure a crystal, a galaxy.
Chaos is a pattern.
Self - Talk
Oil on canvas
40 x 40 cm (15.7″ × 15.7″)
2025
The Inner Space series shifts attention from the external to the internal — to the deep processes that govern us from within, layering identity in shades.
Self-Talk pauses inside the inner process and asks uneasy questions: what are we filled with? Which thoughts occupy our inner space day after day? And how many different selves live within us? Inner dialogue appears here not as a single stream, but as a multiplicity — analytical and exhausting, comforting and intrusive, all at once.
Who are we?
Ornament — Luck
Acrylic on canvas
40 x 40 cm (15.7″ × 15.7″)
2024
The Ornament series brings geometry into dialogue with lived experience — with the states and forces that shape a life from within.
Luck is not about chance. It is about quiet alignment — the moment when inner state meets outer form without force, and movement becomes effortless. The geometry here is soft and supportive, the palette unhurried. This kind of luck does not arrive suddenly. It grows from attention, from remaining balanced between sensitivity and clarity.
A restrained, steady presence — inviting contemplation.
Trust
Acrylic on canvas
100 × 100 cm (39″ × 39″)
2015
Foundations brings together the earliest works of the practice — painted before the international exhibitions and awards that followed, yet already containing the essential language that defines the work today.
Trust is the work where everything began. Painted in 2015, it already holds the core vocabulary: the female figure as vessel, geometry as structure, stillness as a condition. The work reflects on the certainty with which a newborn enters the world — unconditional, precise, the most complete alignment with existence we ever experience.
And the one we spend the rest of our lives trying to find again.